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The Pop Culture Wing of Hot Corner Harbor
Showing posts with label CRJ. Show all posts
Showing posts with label CRJ. Show all posts

Sunday, September 20, 2026

Music Monday: Summer 2026 Playlist

Editing Update: This was already going to be a week late, and then I hit some surprise last-minute delays, pushing it even further back. I’m just going to run this as soon as it’s ready to prevent any further delays (and ensure that it actually goes up before the last day of summer), but I’m also going to keep the “Music Monday” name, because it’ll make grouping things a little easier.



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    I feel like this outgoing summer was sort of a weird period for me, as far as music listening habits went. I’m usually pretty regularly poking around for new music and burning through it, and sometimes even regularly jotting down my thoughts and notes about each release as I get to it. But the last few months… I don’t know. I found myself listening to more baseball games and podcasts, or returning to older music when I was in a listening mood. And I very much wasn’t usually taking any notes or making observations about it like I normally do.

    I don’t know, maybe it’s a minor case of burnout? I know I’ve been joking about how I need to make these playlist articles a little less overwhelming, so maybe this is the chance to really try and enforce that. I usually try and dig into as many of the inclusions as I can, which is why these things can reach the word and page counts that I do. But maybe I can ease off a little (in another change, I’m actually writing the intro first this time to get myself into a writing headspace, rather than at the end to try and wrap it all up).

    For all that hedging, I did actually find new stuff that I enjoyed! And I still really do want to make this playlist and write this article about it! I’ve loved making these; they’re great little time capsules of points in my life, and going back to look at what I was listening to and read my thoughts is a fun thing to do from time to time. I still kind of regret the little stretch from 2019-2020 when I wasn’t publishing anything like this*, and I’d like to avoid that happening again.

    *And I probably won’t put out a make-up list for that era like I once thought I might, but I did at least do my normal preliminary work for them, so I can’t rule it out either. But if nothing else, I have stuff to reference on my end.

    We’ll see how that manifests in the writing, maybe just starting the article will spur a whole bunch of thoughts that I’ve been subconsciously holding in. I was feeling lost trying to decide what my favorite albums or songs of the summer were until I started doing my normal playlist plotting and article brainstorming, and then ideas started to click into place. Maybe I’ll have more to say than I realized. No way to know unless I start somewhere, though.


    As per usual, I have both YouTube and Spotify Playlists available for listening along. And a large number of these artists are on Bandcamp, which if you purchase music, remains the best way to support your favorites directly. The site even occasionally waives their cut of sales (we just passed a Bandcamp Friday at the start of September, but there is another one coming up on October 2nd, plus two more left in the year after that for the first Fridays of November and December).


    Anyway, here are those playlist embeds, before we jump into the article version of the playlist:





    The notes on what’s missing: 7mai isn’t on either YouTube or Spotify. The tracks from Battery Operated Orchestra, alpha, and ok seashells are on YouTube, but not Spotify. And Scarlet Bandit is also only on YouTube, but one of the songs I added was a cover that appears to be exclusive to the Bandcamp release (of Shania Twain’s “I’m Holdin’ On to Love (to Save My Life)”, specifically, if you’re interested), so I’m substituting one of their originals, “Goin’ Out Tonite”, onto the YouTube playlist instead.

    It’s weird, just looking over my preliminary list of songs to cover before I really dive in; I was worried I wouldn’t have anything to talk about here, but there really was a lot of stuff that I enjoyed listening to over the last four months! I thought that I listened to less music than I normally do, but now I’m not sure. Maybe I was just less active in seeking out new stuff, maybe I just played the stuff I liked on repeat less than normal, maybe I was just busy with other things. I do know there was what felt like a stretch where I didn’t see any new stuff that interested me, but that shifted hard around the end of July and start of August for whatever reason.

    Also, another thing that stands out to me is that the electropop and synthpop stuff ruled hard here. It’s not surprising, that’s generally one of my favorite genres to go looking through, but I felt like I was in a dry spot finding good stuff for my last few playlist articles in favor of indie rock or power pop or post-punk or stuff like that, but this time, the synth-driven stuff just took over. Including the stuff at the top…

    Editing note: Okay, so, returning to this intro after writing most of the piece and starting to clean it up, I’m realizing that this piece didn’t wind up that much shorter than normal, maybe about three-quarters my usual length. It’s a start, I guess. At least it helped spur me out of my writer’s block.


    The Playlist as an Article:

    Muna
    I was wondering what would be my “Favorite Album of the Summer” pick for a bit, and then I actually went and started my pre-writing note taking process and realized that it was very clearly ‘Dancing on the Wall’, Muna’s fourth album. It feels really weird that I even forgot it, it was easily the album I listened to the most, and it was one of the things I stayed locked into during that July dry spell of discovery that I mentioned. Honestly, that might be part of the problem, it came out right after my last article and I had to go double check that it hit my cut-off.

    But the other issue might just be that it’s really good in a way that didn’t give me an easy hook to talk about. Muna’s last three albums were all at the top of my personal list for the cycles they came out in, so this wasn’t a change. Is it a notable departure in style? No, not really; Muna has come back after four years to deliver more of their usual synth-driven alternative-pop. Is it a major improvement or change in quality? Nope, I enjoyed it at least as much as their last album, 2022’s self-titled; they killed it, just like they always do. Is it their best album? …I don’t think so? Honestly, I did a couple re-listens of their discography because ‘Dancing on the Wall’ got me in the mood, and even when I went in with the idea of ranking them, I usually just came out of it saying “I dunno, they’re all good, they all have their moments!” I think I still would rank their debut ‘About U’ at the top, but I also believe that’s as much an argument about my nostalgia and it being my introduction to them (although that four song run at the start of the LP is also still pretty legendary, in my mind).

    Monday, September 11, 2023

    Music Monday: Summer 2023 Playlist

    Happy Music Monday! It’s once again time for a playlist!

    As I mentioned in my last playlist article back in May, this year I’m splitting my normal massive End-of-Summer Playlist into two smaller ones, with this one roughly covering music I found from May through September… except as I’ve said in the past, I’m also not very timely when it comes to new music anyway, so I guess it’s a little debatable how much those timeframes matter to anyone else. Ah well. I’m also doing my usual write-ups, except I felt less wordy this time, so it probably won’t be as long (although last time was also a little extreme in length, so maybe that’s for the best).

    Here are the YouTube and Spotify playlists:






    The notes on what’s missing: Mouse removed her music from Spotify, so that’s only on the YouTube playlist. I couldn’t find “Strange Luvv” by King Isis on either platform, so here’s a Bandcamp link. And 7mai doesn’t use either, so here’s a link to their Bandcamp page; the picks on this playlist come from the Gray, Pink, Yellow, and Violet “Colorful Palette” EPs.

    And speaking of, as always, a lot of these artists have Bandcamp pages where you can purchase their music directly. So if there’s something that you really like, maybe consider throwing some money their way as well!




    Carly Rae Jepsen, The Loveliest Time

    Once again, Carly Rae Jepsen followed up an album release with a B-sides collection the following year. I don’t really have a ton to say here; Carly Rae Jepsen released an album of very good pop music? And I liked it a lot? Wow, what a shock, who could have guessed any of this!

    It is kind of interesting that this one dropped the “B-Sides” label this time in exchange for its own (derivative) name, although it’s also probably the B-Side album that feels like it most strongly stands on its own, so it makes sense. It does feel like The Loveliest Time dabbles around in styles more than any of her other albums. I wish it had a song I liked as much as “Run Away With Me” or “The Loneliest Time” or “Want You In My Room”, but it’s also not hard to recommend songs like “Shy Boy” and “Psychedelic Switch”. Overall, I’m not sure if it’s my favorite of CRJ’s projects, but that’s a difficult catalog to stand out in, and probably partly personal taste.


    PRIZM, All Night

    This one was my big, new discovery while browsing Bandcamp over the last few months. I know that I have a thing for those sparkling atmospheric synths and haunting saxes and powerful vocals singing big hooks cutting through it all… but also, this Dallas-based duo makes it so easy to love it. They have the style down pat, writing banger after banger and polishing them to a gem-like gleam, and splashing them across the night sky with a sense of cinematic grandeur. The songs I’ve picked for the list (“All Night”, “Lost You”, and “Can’t Bring Me Down”) were all easy calls, instant classics that I immediately fell in love with, but really, there are no weak links on All Night. I tore through the rest of their releases and can recommend it all, although for the sake of this playlist, I included “Sober” (one of three recent singles, hopefully prelude to a new album?) and cover “Don’t Stop” (one of a trio of Fleetwood Mac covers they released; I like them all, but felt like this one was the most interesting, really putting a unique spin all their own on it).

    Monday, January 16, 2023

    Music Monday: End of 2022 Playlist

    2023 Has finally arrived, but before we get too far along into the new year, I’d like to close out 2022 with some music. That’s right, it’s time for my third annual End of the Year Playlist and accompanying article! I’ve had a fun time finding new music and writing about it the last few months, and honestly, this size feels much more manageable for what I’m trying to do with this series. I might even split my normal Summer Playlist into two smaller ones since it’s been getting more and more unwieldy, we’ll see.

    Once again, I’ve assembled the playlist in both Youtube and Spotify so that you can follow along.





    Notes: The YouTube playlist is more complete than the Spotify one, missing 5 songs to 13. Of those five, “Under the Sun” and “Milk & Moon” can be found on full albums on YouTube. I couldn’t find much of 7mai on either service, so here are Soundcloud links to the full EP releases of the two songs of theirs that I reference: “Strawberry Mousse”, “Celestial”. The only place that I can find “Spring Cleaning” is on Sir Babygirl’s Bandcamp page.


    With all of that out of the way, onto the article:


    My Favorite Albums of the Playlist:

    -St. Lucia
    St. Lucia dropped a lot of their new album, Utopia, early as pre-release singles in the run-up to the full release, and I’m always a little mixed about that strategy. I understand that constantly dripping out new material is a good way to stay at the forefront of people’s minds, which is becoming increasingly important in music. But it does feel like it can sometimes dull the impact of the full album; finding new surprises to enjoy on your first or second listen of a full record is one of the things that I like most, and knowing most of the songs early undercuts it.

    But it didn’t seem to matter here, thankfully. On the one hand, Utopia is great, and no amount of pre-release familiarity was going to dull its impact. I still stand by “Touch” being maybe my favorite track of theirs (which I said when it made my last playlist article), and it’s backed up by a ton of other strong tracks, like “Take Me Away”, “Another Lifetime”, “Rockets on My Feet”, and so on. Few other artists have as good an ear for big soundscapes and ringing, triumphant choruses that you can shout along to, in my opinion.

    But on the other hand… maybe it’s just too good of an album for surprise to totally wear it down? The group has a strong track record, and I love all four of their albums. But maybe I’d be saying Utopia easily stands above the others if I heard it mostly at once with only one or two singles, as I did their first three (When the Night, Matter, and Hyperion). I guess all I can do at this point is keep re-listening over time and see if my opinion on it grows as much over time as it has for the others.


    -Fickle Friends
    Every now and again, maybe once or twice a year, I’ll stumble upon a new album from an artist that I haven’t heard of or don’t really follow, and fall in love with it, leading me to go back through their older work and discover that 1) there’s a decent amount of stuff to listen to, and 2) I love it as well. At that point, I just end up kind of stuck on that artist for a few weeks, maybe trying some other stuff but always circling back to them. And that is why there’s so much Fickle Friends on my End of 2022 Playlist.

    I saw their new album from earlier in 2022, Are We Gonna Be Alright?, while browsing for something I hadn’t heard before, and immediately latched on. It wound up being one of my favorite albums of the year, just 40 minutes and a dozen songs of tight, bouncy, catchy synthpop. I had it on loop for days, dancing and singing along to songs like “Glow”, “Pretty Great”, “IRL”, “Love You to Death”... there something about it that all works perfectly, the hooks are so memorable and tight, and the lyrics stick in my mind simply capturing moments of love and relationships and loneliness.

    And from there, I went back through their back-catalog. Their debut album You Are Someone Else was a little less polished, but still displayed all of their talent beautifully. Their two Weird Years EPs served as a perfect pandemic-era bridge between the two. All of the B-sides and early EPs were similarly fun, all the way back to their first one in 2014. I can’t believe I missed them for this long, they really are straight up my alley! And I spent a lot of the end of 2022 just getting caught up on them, so they end up making a lot of this playlist.

    In the past, I’ve tried to limit my picks from a single artist somewhat, but… these lists are at least partly for me to revisit, too, so I’d like it to reflect what I was listening to at the time. And I honestly was just listening to Fickle Friends for a while this year!


    -Carly Rae Jepsen
    I was a little worried about The Loneliest Time; following up two absolute classic albums like Emotion and Dedicated seems like it would be a tall order. Thankfully, The Loneliest Time lived up to it; it helps that it moved into its own sort of territory, separate from those two albums, lower key while still somehow full of big, emotional moments. But like those two, it's just a bunch of top-notch bangers throughout, with a few 11/10 songs (“Shooting Star” and the title track duet with Rufus Wainwright) highlighting the experience. And now, we can once again return to anxiously awaiting the arrival of The Loneliest Time B Sides.


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