Music Monday: End of 2024 Playlist

Last time I made a big playlist article, I mentioned that it felt a little shorter than usual, and wasn’t sure if it was a trend or something. As it turned out, it was not! I was in the mood for finding new music the last few months, and then Year-End lists gave me a lot more to dig through on top of that (I still have a bunch of stuff from those earmarked to check out once this is done).

In the interest of time, I’m just going to jump right in. As always, if you like any of this stuff, definitely check out the full releases the songs are from; almost all of the songs are standing in for recommendations of the full album or EP. And maybe also consider supporting the artists in some way; a lot of them are small acts with Bandcamp pages, the platform that already gives the best compensation to artists (and Bandcamp Fridays, days where the site gives their cut to artists as well, will return in 2025 starting in March). Now for the YouTube and Spotify embeds:

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Notes: As usual, not everything is on every list. Alpha’s music isn’t on either platform, but it is on their Soundcloud for those who want a non-Bandcamp option. The Spotify list is also missing iZme’s “Vivid” and the Live Session version of Knower’s “Overtime” (although I did substitute the studio version there). The YouTube list is missing two of the songs from SYM1 and one from The Only Humans, plus the Cheem song was only available as part of the full EP, so I left that one out too.



The Best Stuff:

Jamie Paige: Jamie Paige’s last album ‘Bittersweet’ was one of the earlier things I found when I started regularly browsing Bandcamp a few years ago, and I wound up listening to it a lot, as well as her follow-up singles and backlog. Several years later, and she’s finally released her next full album, ‘Constant Companions’, and it feels like it lived up to expectations. More of what I liked, but also new in ways that differentiate it so it feels fresh. She’s on a bit more of a kick with vocal synths here than on ‘Bittersweet’, but even that feels like a natural evolution, and she does some fun things with them.

There’s something about her songwriting style that just naturally draws me in, bursting with joyful energy and electric hooks, full of layers of synths and instrumentation, with recurring motifs and callbacks that can feel like their own ideas, and lyrics that lean can lean on big feelings but also a sense of humor, plus hint of sci-fi and fantasy ideas that can lend themselves to the idea of a bigger text and differentiate themselves from a lot of other songs, which can draw out emotion in fun, unexpected ways. Even stuff like the opener, "Dyad", about her desire to do both stuff like her last album and playing around with more Vocaloid songs, gets recast in both a more fantastic (a conversation between a person and a digital singer) and mundane (it’s literally recast as separation from someone you love and wanting connect with them), and that sort of layers are fun to think through and make it so easy to relate with.

Music Monday: Summer 2024 Playlist

(Yes, this article is going up a little late, but I decided I’d rather get it posted during Labor Day week rather than wait another full week since Bandcamp Friday is this week, plus I still wanted to keep the “Music Monday” name.)

I’m not going to lie, the last few playlists articles have been exhausting, between their large scale and heaps of writing. I like doing them, sharing music and talking about it is a lot of fun, but I had kind of been considering scaling them back in some way to make it a little easier on myself; I started working on the last one something like a month ahead of my self-imposed deadline, and still barely got it done in time.

Thankfully, when I started working on this one (a little closer to the deadline), I realized that I also just had less to talk about this time. I was a little lighter on music discovery the last few months, between being busy with other things, the lack of Bandcamp Fridays spurring me to scour for new things, and just several other factors. Things might pick up again for the next edition (September 6th marks the first Bandcamp Friday since May for anyone interested in picking up things I’ve mentioned here before, and I definitely built up my own list to investigate before then; plus at a certain point, I’m sure End of Year lists will release and give me new things to check out), but we’ll see how I’m feeling come four months from now or so.

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But I did find things that I liked and wanted to talk about in the meantime, including some of my favorite releases of the year, so completely skipping a playlist was never part of the question. Like I’ve said before, I use these as much as scrapbooks for myself as anything, and missing any of them feels weird (I still idly consider going back and making playlists for the years I skipped sometimes).

So, without further ado, my Summer 2024 Playlist:






Notes: Not every song was on every platform. Plasma Cutter’s album wasn’t on YouTube (Bandcamp), alpha’s music was not on either YouTube or Spotify (Bandcamp), and sponzi’s “reach” is basically nowhere (Soundcloud).


On that note, I’ll reiterate that if you want to support these artists, Bandcamp is the best place to do it! Most of them have Bandcamp pages where you can purchase the music directly and which will give artists much better cuts than any other platform; and, as I mentioned above, this Friday (September 6th) is Bandcamp Friday, so 100% of any purchases on that day will go to the artists!


And much like the last Playlist article, I know album titles are usually italicized, but I used single quotation marks here instead because Blogger has been making fixing formatting very tough, and using single quotes means exponentially less work when I go to post.

Music Monday: Start of 2024 Playlist (Tenth Anniversary Edition!!)

Just in the nick of time, we have a Music Monday update with my second playlist of 2024! This is another big one (covering my listening from January through roughly the first week of May, although this is mostly just for my sake; I'm not super timely, and mostly just check stuff out when I get around to it), but I had fun discovering some new music and then writing about it.


And this is a big playlist in multiple ways: next week (June 7th) is also the tenth Anniversary of Out of Left Field! I doubt I’ll have time to put together another big piece, so you can think of this one as the Big Anniversary Post for the occasion.


As usual, here are the links to the Spotify and YouTube Playlists, each in roughly-article order:

Notes: The same songs are missing on both playlists, so I’ll just link to those Bandcamps. You can find 7mai’s tracks here, alpha’s here and here (or their Soundcloud), Prom Nite’s here, and Lauryl Sulfate’s here. Also, in case any of my former English teachers are reading this, I know album titles are usually italicized, but I used single quotation marks here because Blogger has been making fixing formatting very tough, and I’d like to minimize that.

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As always, you can read a full copy of the playlist at the end of the article. And remember, a lot of these artists (especially the smaller ones) can be found on Bandcamp, if you want to support them!



The Best Stuff:

Good Kid: I'm not really sure how to describe their style? Every description I could find just leaves it at "indie rock", which feels overly broad. The closest thing I can think of is j-rock, but I feel a little weird calling a Canadian band that performs exclusively in English "Japanese rock", even if that is clearly is one of their major influences. But sound-wise, that probably is the closest fit. Although now that I think about it, I guess it is kind of weird that there aren't more English-language takes on that style. Either way, I enjoy it a lot, and ended up including songs from all four of their self-titled EPs here. The most recent one released back in March and has probably my favorite two songs of theirs, the frantic and frenetic “Break” and a high-energy cover of Laufey’s “From the Start”; limiting myself to just two selections per record was tough, but even with the high baseline, these two stood out as easy picks.


Bad Moves: I checked this DC-band out because I saw them compared to The New Pornographers somewhere. Not sure I would have made that comparison, but I do see it; they have a similar sort of power pop style, but with a higher energy and a little more stripped-down/straightforward? I started with their debut album ‘Tell No One’ and very quickly moved on to their follow-up ‘Untenable’. Picking songs from them was difficult; I could have really gone with any combination here and been happy, there really isn’t a clunker here, and any time I put it on, time just seems to start flying. It’s apparently been nearly four years since ‘Untenable’, and they finally released new singles in December and April, so I’m hoping for Album 3 soon!