Music Monday: End of 2021 Playlist

Last year, I did an “end of the year” supplemental playlist to go with my normal summer playlist (which usually ends up covering the first two-thirds of the year anyway), and I kind of liked doing that. So it’s making a return this year to follow up my Summer 2021 list, especially since there’s a lot of good stuff I’ve been listening to since then. Like normal, I’m including a playlist link up top, followed by some stray thoughts on various entries on the list, and then a full text listing at the end. And as per usual, it’s mostly 2021 stuff, but I’m also only one person doing this on the side, so sometimes it takes me a while to get around to trying things.





To start: last time, I called CHVRCHES Screen Violence my album of the summer, and if I had one complaint, it was that it felt a little shorter than their last few albums. Well, they released a bonus version in late October that included three new songs, all of which are stellar. Especially “Killer”, which might be my favorite song on the album now? “How Not to Drown” is hard to top, though.

Moving on from my favorite album on the last list, to my favorite album on this list: it’s Mercurial World by Magdalena Bay, which has been living in my brain for the past month or two. Every song is just great, layers upon layers of hooks and melodies and interesting things. It’s almost hard for me to pick three songs off of it, but “Hysterical Us” is probably my favorite track (I absolutely love that main piano riff). And “Secrets (Your Fire)” feels like the perfect introductory single to the album (I think it was the first track of theirs that I heard, although I’m not positive), plus it’s such a smooth jam. A third pick from the album was difficult, since there are so many good songs. Just by how much I enjoy the songs, I’d probably go with album closer “The Beginning”, but I think part of what I like about it is how it works as a final track, so I left it as a surprise. After that, it was a tough call between the title track, “Chaeri”, “You Lose!”... but I ended up going with “Dawning of the Season”.

The New American Song Book and the Pop Music Canon

Slate ran a fun piece last week looking at what they termed “The New American Songbook”, or the pop hits (some from non-American acts, despite the name) of the last 25 years that will be listened to long into the future. The full balloting can be found here, while this piece covers the top thirty songs (which basically wound up being anything that got more than one vote from their 19 panelists).

I wanted to weigh in on it because, let’s face it, this is right up my alley. A panel of experts weighing in on the best, most memorable entries in one of my hobbies from the past twenty-five years? I basically write a dozen articles each year on the baseball version of that.

I wanted to write a few thoughts on the balloting and maybe provide my own nominations.


1. The list is generally pretty solid.
Nothing there seems totally out of place. I don’t know if it’s necessarily in the order from “most likely” to “least likely” (just for starters, “Let It Go” is probably too low at 30, given that it has a recent popular movie for young children and the full force of Disney behind it), and there are certainly songs that I thought deserved more votes (I’m still a little shocked “Mr. Brightside” was only named three times and landed at the middle of the list). There are things missing, but any list of just twenty-five songs is going to be missing a lot. Also, “Hey Ya” seems like a strong number one, so it’s hard to quibble too much with the system.

2. Twenty-five years was probably too long of a window to use.