I love Disney movies (that may have been obvious already, not sure), and I love time travel movies (may not be as obvious), so I figured it was long overdo for me to revisit what remains to this day the only film in the Disney Animated Canon to tackle time travel, 2007's Meet the Robinsons.
The movie has kind of been forgotten, which maybe isn't too surprising; it did come out at a rather low point in Disney's history, after all, on the heels of a string of failures in the first few years of the millennium.* But, it came right before the turnaround that lead to the re-invigoration of the studio, where we find it today once again something of a juggernaut, and appropriately enough, contains a lot of very strong points in what's otherwise a solid but occasionally uneven movie.
*I don't feel like getting too into the nitty-gritty of each movie, but I feel like it's pretty safe to say the only unqualified success for the studio in the early 2000s was Lilo and Stitch. And while there were some good movies in that stretch that underperformed, I don't think I'll run into too much resistance in saying that the three films immediately preceding Meet the Robinsons, namely Chicken Little, Home on the Range, and Brother Bear, are all among Disney's weakest feature films.
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Showing posts with label Disappointments. Show all posts
Showing posts with label Disappointments. Show all posts
Saturday, December 2, 2017
Sunday, June 7, 2015
The Disappointing Case of Tomorrowland
If I were to boil down Tomorrowland to a
single phrase, it would be “Meet the Robinsons’ dumb younger
cousin”. I’ve long found Meet the Robinsons to be a solid
movie, and an underrated entry in the Disney canon, but it took Tomorrowland for
me to appreciate how the former does the concept of “optimism-powered, look how
awesome the future is!” right. Spoilers ahead, although I’ll specifically mark
big ones.
I think the biggest problem is that Tomorrowland is
very self-assured that what it’s saying is intelligent without being able to
back it up, instead offering up references to smarter things or pining for
better times or attacking strawmen or just straight up not doing anything to
cover up its problems. For instance, there’s a character named Hugo Gernsback (played
by the extremely underutilized Keegan-Michael Key*). Like many things in Tomorrowland,
I at first smiled when I discovered that the owner of the science fiction
memorabilia store was named “Hugo”; it’s a cute little throwaway gag. Then it
goes deeper and reveals that his last name is Gernsback, immediately becoming
straight-up cheesy (and as if daring the audience to pick up on its
reference-“are you one of the smart ones who will catch
this?”). And then, it reveals that it really doesn’t have anything for Hugo to
do, and he becomes a plot device before exiting the movie for good, no real
impact on the story so to speak of.
*Also
underutilized is his partner Ursula, played by Kathryn Hahn. Based on the rest
of the movie, I'm assuming they just didn't have the space to drop that her
character's last name was "Le Guin".
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