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Showing posts with label The 1975. Show all posts
Showing posts with label The 1975. Show all posts

Monday, January 16, 2023

Music Monday: End of 2022 Playlist

2023 Has finally arrived, but before we get too far along into the new year, I’d like to close out 2022 with some music. That’s right, it’s time for my third annual End of the Year Playlist and accompanying article! I’ve had a fun time finding new music and writing about it the last few months, and honestly, this size feels much more manageable for what I’m trying to do with this series. I might even split my normal Summer Playlist into two smaller ones since it’s been getting more and more unwieldy, we’ll see.

Once again, I’ve assembled the playlist in both Youtube and Spotify so that you can follow along.





Notes: The YouTube playlist is more complete than the Spotify one, missing 5 songs to 13. Of those five, “Under the Sun” and “Milk & Moon” can be found on full albums on YouTube. I couldn’t find much of 7mai on either service, so here are Soundcloud links to the full EP releases of the two songs of theirs that I reference: “Strawberry Mousse”, “Celestial”. The only place that I can find “Spring Cleaning” is on Sir Babygirl’s Bandcamp page.


With all of that out of the way, onto the article:


My Favorite Albums of the Playlist:

-St. Lucia
St. Lucia dropped a lot of their new album, Utopia, early as pre-release singles in the run-up to the full release, and I’m always a little mixed about that strategy. I understand that constantly dripping out new material is a good way to stay at the forefront of people’s minds, which is becoming increasingly important in music. But it does feel like it can sometimes dull the impact of the full album; finding new surprises to enjoy on your first or second listen of a full record is one of the things that I like most, and knowing most of the songs early undercuts it.

But it didn’t seem to matter here, thankfully. On the one hand, Utopia is great, and no amount of pre-release familiarity was going to dull its impact. I still stand by “Touch” being maybe my favorite track of theirs (which I said when it made my last playlist article), and it’s backed up by a ton of other strong tracks, like “Take Me Away”, “Another Lifetime”, “Rockets on My Feet”, and so on. Few other artists have as good an ear for big soundscapes and ringing, triumphant choruses that you can shout along to, in my opinion.

But on the other hand… maybe it’s just too good of an album for surprise to totally wear it down? The group has a strong track record, and I love all four of their albums. But maybe I’d be saying Utopia easily stands above the others if I heard it mostly at once with only one or two singles, as I did their first three (When the Night, Matter, and Hyperion). I guess all I can do at this point is keep re-listening over time and see if my opinion on it grows as much over time as it has for the others.


-Fickle Friends
Every now and again, maybe once or twice a year, I’ll stumble upon a new album from an artist that I haven’t heard of or don’t really follow, and fall in love with it, leading me to go back through their older work and discover that 1) there’s a decent amount of stuff to listen to, and 2) I love it as well. At that point, I just end up kind of stuck on that artist for a few weeks, maybe trying some other stuff but always circling back to them. And that is why there’s so much Fickle Friends on my End of 2022 Playlist.

I saw their new album from earlier in 2022, Are We Gonna Be Alright?, while browsing for something I hadn’t heard before, and immediately latched on. It wound up being one of my favorite albums of the year, just 40 minutes and a dozen songs of tight, bouncy, catchy synthpop. I had it on loop for days, dancing and singing along to songs like “Glow”, “Pretty Great”, “IRL”, “Love You to Death”... there something about it that all works perfectly, the hooks are so memorable and tight, and the lyrics stick in my mind simply capturing moments of love and relationships and loneliness.

And from there, I went back through their back-catalog. Their debut album You Are Someone Else was a little less polished, but still displayed all of their talent beautifully. Their two Weird Years EPs served as a perfect pandemic-era bridge between the two. All of the B-sides and early EPs were similarly fun, all the way back to their first one in 2014. I can’t believe I missed them for this long, they really are straight up my alley! And I spent a lot of the end of 2022 just getting caught up on them, so they end up making a lot of this playlist.

In the past, I’ve tried to limit my picks from a single artist somewhat, but… these lists are at least partly for me to revisit, too, so I’d like it to reflect what I was listening to at the time. And I honestly was just listening to Fickle Friends for a while this year!


-Carly Rae Jepsen
I was a little worried about The Loneliest Time; following up two absolute classic albums like Emotion and Dedicated seems like it would be a tall order. Thankfully, The Loneliest Time lived up to it; it helps that it moved into its own sort of territory, separate from those two albums, lower key while still somehow full of big, emotional moments. But like those two, it's just a bunch of top-notch bangers throughout, with a few 11/10 songs (“Shooting Star” and the title track duet with Rufus Wainwright) highlighting the experience. And now, we can once again return to anxiously awaiting the arrival of The Loneliest Time B Sides.


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    Monday, August 7, 2017

    Music Monday: Getaway Car Playlist (Inspired by Baby Driver)

    Edgar Wright might be my favorite director of all-time. Naturally, I was super excited when I found out that he had another movie coming out this summer, but even more exciting was finding out that it was going to be a musical about car chases.* Sure enough, Baby Driver lived up to all my expectations when I saw it earlier this summer.

    *A lot of the initial weirdness one assumes when hearing this conversation dissipates once you remember that The Blues Brothers exists. Apparently, this is a much more natural combination than it first seems.
    I wanted to write something about the movie, but I never quite got a better idea than just a page of me just cycling through all of the synonyms for “really cool” that I know. So I finally decided that maybe the best thing to do would be respond to it.


    Most of the film’s soundtrack caught me off guard, in a way. For those who haven’t seen it, the main character, “Baby”, is a getaway car driver who is obsessed with music, and needs to sync up his drives with carefully-selected songs. It’s a neat conceit, and I loved it. But thinking back to the movie afterwards (as well as looking over the soundtrack), I sort of had an epiphany: my idea of songs I would use in his place was totally different.

    I mean, I had never really thought too hard about what made something a good “getaway car song” before Baby Driver, but my first clue was how little of the soundtrack was something I personally would have picked. Not that any of it is bad; it’s mostly just a matter of taste and frame of reference, if anything. But outside of maybe “Radar Love”, my hypothetical list would have little overlap.

    So I put more thought into it: what would my “Getaway Car” Playlist look like? After thinking it over for a while, this is the result. It’s not one of my normal playlists, in that there isn’t really a flow or an “order” to this, and I didn’t spend hours honing the song-to-song transitions; by nature, it’s supposed to be a little stop and start, something you can listen to on shuffle (because, you know, a car chase probably shouldn’t last long).

    I’m pretty happy with the end result. Despite not being one of my original “themes” or ideas, I think I put my own distinct spin on the subject. A full text list can be found below as well.


    Run with the Bulls-Smallpools
    Sins of My Youth-Neon Trees
    Stolen Time-Gemini Club
    Started a War-Gemini Club
    Sex-The 1975
    Let’s Make a Lot of Money-Junior Prom
    Dance, Dance-Fall Out Boy
    Kill V. Maim-Grimes
    Next to You-The Police
    I Will Follow-U2
    Got to Get You Into My Life-Earth, Wind, & Fire
    You Dropped a Bomb on Me-The Gap Band
    Mirrored Sea-Passion Pit
    Something’s Bout to Change-Strange Talk
    You Will Leave a Mark-A Silent Film
    Atlas-COIN
    I Love You to Death-Five Knives
    North American Scum-LCD Soundsystem
    Leave the Lights On-Mainland
    Hello-Oasis
    I Bet You Look Good on the Dancefloor-Arctic Monkeys
    Turn It On-Franz Ferdinand
    Hang Me Up to Dry-Cold War Kids
    All of This-The Naked and Famous
    Let It Go-Dragonette
    Help Me Run Away-St. Lucia
    Paddling Out-Miike Snow
    Drive It Like You Stole It-Sing Street
    Witchcraft-Pendulum
    Bounce-Calvin Harris ft. Kelis
    My Type-Saint Motel
    Try to Lose-Penguin Prison
    Making the Most of the Night-Carly Rae Jepsen
    Mr. Brightside-The Killers